Images

L1

The set seen here, still being lit and dressed.

L2

The final set prior to filming.

M

From initial sketches; I'll create a visual of the set for approval. This one was created in photoshop.

R1

Mood boards are created to show the clients which props we will be renting plus to give a feel as to how the bank will eventually look. The stylist takes photos; I'll then pick from the selection and create these boards to send to the clients for approval.

R2

One of the construction plans for the carpenters. A vital link between the visuals and the final set. Time is taken here to make sure the proportions match the approved design and that it can be built within the time and money.

R3

Early stages in the construction. The set is made from rented flattage strapped together, then lined and painted.

R4

This was the rented backing chosen for the view through the windows. Although not 'great' it's a lot cheaper to rent than have something specially painted and I knew it would be partially obscured through the window blinds.

R5

The set is seen here partially finished. I designed roof lights in the ceilings to aid the lighting overall.

R6

The ceilings took some time to place due to the set being quite tall. Fortunately the stage had chain tackles to ease the task.

R7

A view from the back of the set. Beverley Butcher (stylist) sorts out some of the props for the next set up.

R8

Actors seen here rehearsing while Federico Alfonzo (DOP) adjusts the light and Gary Dawson (Props) adjusts yet another poster.

R9

Even the digital cashier lights were operational. I'm seen here setting up one of the computers. The 'non descript' images on the monitors were created by my assistant Martina.